If you’ve ever wondered what goes into creating a hit Broadway show, look no further than the behind-the-scenes story of passing Strange. From its early development as an off-Broadway production to its successful run on the Great White Way, this musical offers a fascinating glimpse into the creative process and collaboration that brought it to life. Join us as we take a closer look at the making of passing Strange on Broadway.
The Concept
The story of Passing Strange originated from co-creators Stew (real name Mark Stewart) and Heidi Rodewald’s band called The Negro Problem. In 2004, they were approached by theatre director Annie Dorsen to create a theatrical piece based on their music. They jumped at the opportunity but knew it had to be more than just a concert version of their songs.
They started working on an autobiographical storyline that would revolve around a Black musician leaving his middle-class upbringing in Los Angeles to explore life in Europe as an artist. This concept stemmed from Stew’s own experiences traveling through Europe as a young musician looking for inspiration.
As they continued developing the concept, they enlisted playwright and longtime friend Daniel Aukin to help shape the narrative. Together, they created a gripping story that blended rock music with theatre in a way that had never been done before.
Casting and Rehearsals
Once the script was finalized, it was time to cast the show. The lead role of Youth was given to newcomer Daniel Breaker after he wowed producers during auditions. Other notable cast members included Tony winner Chuck Cooper as Mr. Franklin, Eisa Davis as Mother, and de’Adre Aziza as the love interest, Sherry.
Rehearsals began in early 2007, and it was an intense process for everyone involved. The actors not only had to learn their lines and choreography but also how to play their instruments live on stage. Stew himself acted as the narrator and band leader, adding another layer of complexity to the rehearsals.
Broadway Bound
After successful runs at Berkeley Repertory Theatre, The Public Theater, and off-Broadway’s New York Theatre Workshop, Passing Strange was ready for its Broadway debut. It opened at the Belasco Theatre on February 28th, 2008, with previews starting earlier that month.
The show received rave reviews from critics who praised its unique blend of rock music and theatre. However, ticket sales were slow initially due to its unconventional style and lack of big-name stars. But word of mouth soon spread about this groundbreaking production, and audiences flocked to see it.
Changes for Broadway
With a bigger budget and a larger stage than its previous incarnations, changes were made to enhance the show for a Broadway audience. These changes included new songs and extended dialogue scenes to flesh out the story further. There were also technical upgrades such as lighting effects and set design elements added to create a more immersive experience.
One significant change was the addition of actor Colman Domingo in a dual role as Youth’s friend Hugo/Berlin artist Mr. Venus. This character brought more depth to Youth’s journey by serving as his guide through Europe’s underground art scene.
The Musical Numbers
One of the most memorable aspects of Passing Strange is undoubtedly its high-energy musical numbers. Co-creators Stew and Heidi Rodewald wrote all the songs together, drawing from their eclectic range of musical influences. The score featured elements of rock, soul, punk, and even gospel music.
Some standout numbers included We Just Had Sex, a hilarious yet poignant song about Youth’s first sexual experience in Amsterdam. Keys (Marianna), a soulful duet between Youth and Sherry as they navigate their budding relationship. And What’s Inside is Just a Lie, an emotionally charged solo by Mother as she reflects on her past decisions.
The music was brought to life by the talented cast, who not only sang but also played instruments live on stage. This added an authentic feel to the performance and showcased the actors’ multi-faceted talents.
The Band
As mentioned earlier, Stew acted as the band leader for Passing Strange while also narrating the story. Along with Heidi Rodewald on bass, they were joined by longtime members of The Negro Problem band – guitarist Jon Spurney, drummer Christian Cassan, and keyboardist Marty Beller.
These musicians seamlessly blended into the show’s narrative, providing a powerful and dynamic live soundtrack that elevated each scene.
The Impact
Passing Strange made history when it became the first Broadway show to feature an all-Black lead creative team – writer/composer Stew, co-composer Heidi Rodewald, director Annie Dorsen, and playwright Daniel Aukin. Their groundbreaking work paved the way for more diverse voices in theatre and challenged traditional ideas of what a Broadway musical should be.
The show received seven Tony Award nominations in 2008 and won one for Best Book of a Musical for Stew. It also went on to receive numerous accolades such as Drama Desk Awards, Obie Awards, and New York Drama Critics’ Circle Awards.
But beyond awards and critical acclaim, Passing Strange left a lasting impact on audiences, particularly those from marginalized communities. Its unapologetic exploration of race and identity resonated with many and opened up important discussions about representation in the arts.
The Legacy
After its Broadway run ended in 2008, Passing Strange continued to have a life on stage. It had successful runs at regional theatres and even opened in London’s West End in 2010. The show was also adapted into a film directed by Spike Lee, bringing it to a wider audience.
But perhaps its most significant legacy is the trail it blazed for future musicals that push the boundaries of traditional theatre. Shows like Hamilton and Natasha, Pierre & The Great Comet of 1812 owe a debt to Passing Strange for paving the way for unconventional storytelling through music.
Passing Strange on Broadway was more than just a musical – it was a cultural phenomenon that challenged norms and inspired countless artists. Its impact continues to be felt today, making it one of the most influential shows of our time.
What is the Premise of the Broadway Show Passing Strange and What Makes It Unique Among Other Musicals?
Passing Strange follows the journey of a young African-American artist as he searches for his identity and purpose in life. Set to a diverse soundtrack of rock, punk, and soul music, this show stands out from other musicals with its raw and unconventional storytelling. It explores themes of race, sexuality, and cultural identity in an unapologetic and thought-provoking way. With electrifying performances and a powerful message about self-discovery, Passing Strange is a must-see Broadway experience that will leave you questioning societal norms and embracing your own individuality.
How Does the Show Incorporate Elements of Rock Music Into Its Storytelling, and What Impact Does This Have on the Overall Production?
Passing Strange is a groundbreaking Broadway show that seamlessly fuses elements of rock music into its storytelling. With a score by Stew and lyrics by Stew and Heidi Rodewald, the show’s electrifying music adds an edgy, raw energy to its coming-of-age story about a young Black man’s journey of self-discovery. This incorporation not only creates a unique and dynamic experience for audiences but also amplifies the emotional depth of the characters and themes explored in the production.
Are There Any Notable Themes Or Messages Conveyed in Passing Strange That Resonate With Audiences Beyond Just Entertainment Value?
Yes, Passing Strange explores themes of identity, rebellion, and the search for authenticity that resonate with many people. It also challenges traditional ideas of success and encourages audiences to question societal norms and expectations. These messages make the show a thought-provoking experience beyond just its entertainment value.